Professor Gabriella Giannachi
Professor in Performance and New Media
Telephone: 01392 722423
Gabriella Giannachi, FRSA, MAE, is Professor in Performance and New Media, and Director of the Centre for Intermedia at the University of Exeter, which promotes advanced interdisciplinary research in performance and the arts through collaborations between artists, academics and scientists from a range of disciplines.
Her most recent publications include: Virtual Theatres: an Introduction (Routledge: 2004); Performing Nature: Explorations in Ecology and the Arts, ed. with Nigel Stewart (Peter Lang: 2005); The Politics of New Media Theatre (Routledge: 2007); Performing Presence: Between the Live and the Simulated, co-authored with Nick Kaye (MUP 2011), nominated in Theatre Library Association 44th Annual Book Awards (2012); Performing Mixed Reality, co-authored with Steve Benford (MIT Press 2011) Archaeologies of Presence, co-edited with Nick Kaye and Michael Shanks (Routledge 2012) and Archive Everything: Mapping the Everyday (MIT 2016). She has published articles in Contemporary Theatre Review; Leonardo; Performance Research; Digital Creativity and PAJ, and co-co-authored conference papers for ISEA 2010; IVA 2009, 9th International Conference on Intelligent Virtual Agents; CHI 2008; CHI 2009 (best paper award), CHI 2012 (best paper award); CHI 2013 (best paper award) and CHI 2015. She is currently researching a monograph about self-portraits.
Over the last five years, she has been researching projects in partnerships with: Tate, Royal Albert Memorial Museum and Art Gallery, Exeter City FC Supporters Trust, Imperial War Museum, British Library, Stanford Libraries, San Francisco Art Institute, Ludwig Boltzman Institute Media.Art.Research and Met Office Hadley Centre.
Gabriella Giannachi has a BA in Modern Languages and Literatures, in the Faculty of Letters and Philosophy from Turin University, and a PhD in English from Cambridge University, where she was awarded a scholarship by her College, Trinity Hall, to research the role of silence in modern European Drama.
In recognition of her research, she became a Fellow of the Royal Society of Arts in 2012 and an elected member of the Academia Europaea in 2014.