Dr Chris Grosvenor
Office Hours Term 2 (2021/2) – Tuesdays 14:00-16:00; Wednesdays 14.30-15.30 (Room B24 Queens) – Book Here
After studying English Literature and Film Studies as an undergraduate at the University of Exeter (2010-13), followed by an MA in Film Studies at the University of Warwick (2013-14), I completed my doctoral research at the University of Exeter in 2018. Since 2016 I have been teaching within the College of Humanities in various roles, having been most recently hired to a Lecturer position in 2021.
I have a high achieving record of academic accomplishment and independent research, represented by my growing portfolio of conference papers, publications (see below) and research funding awards (MA and PhD) and my research has been published in several prestigious international journals including Film History: An International Journal, Historical Journal of Film, Radio and Television and Early Popular Visual Culture, as well as receiving press coverage from national publications and broadcasters including BBC Radio Devon, The Sun, The Daily Mail and ITV News. My research has also recently received academic award recognition, with my journal article ‘Dr Kinema: The cinema, the trade and the rehabilitation of wounded and disabled soldiers during the First World War’ being awarded the Philip M. Taylor IAMHIST-Routledge Prize for the Best Article by a New Scholar (2020). University of Exeter Press will be publishing my first monograph – Cinema on the Frontline: British Soldiers and Cinema in the First World War – in October 2021
I am also moving forward with research for several multi-disciplinary projects which draw upon fields including English Literature and Screen Studies, specifically in the field of Adaptation Studies, researching contemporary trends in the 21st century, most readily comic book/graphic novel adaptations.
Beyond his academic work I am a keen film fan and critic, having written for numerous publications. I been involved with the establishment and organisation of an award winning film society where I worked on the film selection committee, produced promotional material, including literature and short films, and introduced screenings for over 150 people.
- EAF1506: Interrogating Screens (Co-convener)
- EAF2502: Shots in the Dark: American Film in Profile
- EAS1034: Film Studies: An Introduction
- EAF2510: Adaptation: Text, Image, Culture
- EAF3514 Film Studies Dissertation
'Discontinuity and the Tramp: Understanding Discontinuity as a Constitutive Element of Charles Chaplin’s ‘Charlie’ Identity', Exclamat!on: An Interdisciplinary Journal, Vol. 1, No. 2 (2018), pp. 189-207
Selected Book Reviews
Selected Conference Papers
'The Dream that Kickstarts: Kickstarting Silent Film Restorations and Participatory Fan Culture', New Approaches to Silent Film Historiography, University of Leeds, September 2018.
‘"Ageless, Invincible and Unchanging": Sherlock Holmes, Transtextuality and Adaptation as Political Discourse', PGR College of Humanities - 'Crossing Boundaries' Conference, University of Exeter, 23rd April 2018.
'"Wake Up!": British Cinema, the Outbreak of War, and the Voluntary Recruiting Movement, 1914-1916', British Silent Film Festival Symposium, King's College London, 20th April 2018.
'The Forgotten Audience of First World War Cinema: The Evidence of Cinema Spectatorship in Official Military Documentation', Researching Past Cinema Audiences: Archives, Memories and Methods, Aberystwyth University, March 2018.
‘“He Sees Now What He Looked Like”: Soldier Spectators, Topical Films and the Problem of On-Screen Representation during WWI’, 27th Screen Studies Conference, June 2017.
‘Soldiers in the Archive: Uncovering the History of Military Cinema Audiences during WWI through the Bill Douglas Cinema Museum’, Invited Speaker, 20th Anniversary Lecture Event, The Bill Douglas Cinema Museum, March 2017.
‘Reels, Recovery and Rehabilitation: Examining the use of cinema entertainment for wounded disabled soldiers in WWI’ – PGR Conference of the Humanities, University of Exeter, April 2016
‘Cinema on the Front Line: Military Cinema Exhibition during the First World War’ – Moving Pictures and Photoplays: New Perspectives in Silent Cinema, University of York, June 2015.
‘Discontinuity and the Tramp: Chaplin’s ‘Charlie’ Persona’ – Film and Media 2014 Conference, University of London, June 2014.
'Cinema on the Front Line: A History of Military Cinema Exhibition and Soldier Spectatorship during the First World War', University of Exeter, Doctorate awarded December 2018.
Student Representative for the Bill Douglas Cinema Museum Board (2016 - )
Radio Interview with BBC Devon regarding the centenary of the propaganda film The Battle of the Somme (1916), 2/7/2016