Professor Pascale Aebischer

Publications

Books

Shakespeare and the 'Live' Theatre Broadcast Experience, London, Bloomsbury, 2018.

with aebischer PV, Greenhalgh S, Osborne L, Nicholas R, Sullivan E, Sharrock B, Bennett S, Raby J, Kidnie MJ, Rogers J et al, Shakespeare and the 'Live' Theatre Broadcast Experience, London, Bloomsbury Arden Shakespeare, 2018.

Screening Early Modern Drama: Beyond Shakespeare, Cambridge, Cambridge University Press, 2013.

with aebischer PV, K Prince, Performing Early Modern Drama Today, Cambridge, Cambridge University Press, 2012.

Shakespeare Bulletin Special Issue: Early Modern Drama on Screen - A Jarman Anniversary Issue, Baltimore, Johns Hopkins UP, 2011.

Jacobean Drama, Houndmills, Palgrave Macmillan, 2010.

Shakespeare's Violated Bodies: Stage and Screen Performance, Cambridge University Press, 2004.

with aebischer PV, Esche E, Wheale N, Remaking Shakespeare: Performance across Media, Genres and Cultures, Palgrave Macmillan, 2003.

Articles

To the Future: Derek Jarman's Edward II in the Archive, Shakespeare Bulletin, no. 3, Johns Hopkins University press, 2014, 429-450

The Properties of Whiteness: Renaissance Cleopatras from Jodelle to Shakespeare, Shakespeare Survey, vol. 65, Cambridge University Press, 2011, 221-238

Shakespearean Heritage and the Preposterous 'Contemporary Jacobean' Film: Commodifying and Consuming the Duchess of Malfi in Mike Figgis' 'Hotel' (2001), Shakespeare Quarterly, vol. 60, no. 3, 2009, 278-303

Silence, Rape and Politics in 'Measure for Measure': Close Readings in Theatre History., Shakespeare Bulletin, vol. 27, 2008, 1-23

Vampires, Cannibals and Victim-Revengers: Watching Shakespearean Tragedy through Horror Film, Shakespeare Jahrbuch, no. 143, 2007, 119-131

Creative Disability/Disabled Creativity in Henry Green's 'Blindness' (1926)., Studies in the Novel, vol. 35, no. 4, 2003, 510-525

Didascalia and Speech in the Dramatic Text., Journal of Dramatic Theory and Criticism, vol. 17, no. 2, 2003, 25-44

Women Filming Rape in Shakespeare's Titus Andronicus: Jane Howell and Julie Taymor., Études Anglaises, vol. 55, no. 2, 2002, 136-147

Shrewd or Shrewish? 'Steal[ing] out o'th' old plays' in John Lacy's Sauny the Scott: or The Taming of the Shrew., Restoration and Eighteenth Century Theatre Research, vol. 16, no. 1, 2001, 24-41

Looking for Shakespeare: The Textuality of Performance., SPELL: Swiss Papers in English Language and Literature, vol. 13, 2000, 157-173

Yorick's Skull: Hamlet's Improper Property., EnterText, vol. 1, no. 2, 206-225

Chapters

with aebischer PV, Greenhalgh S, Shakespeare and the 'Live' Theatre Broadcast Experience, in Aebischer PV, Greenhalgh S, Osborne L (eds) Shakespeare and the 'Live' Theatre Broadcast Experience, London: Bloomsbury Arden Shakespeare, 2018

South Bank Shakespeare Goes Global: Broadcasting from Shakespeare's Globe and the National Theatre, in Aebischer PV, Greenhalgh S, Osborne L (eds) Shakespeare and the 'Live' Theatre Broadcast Experience, London: Bloomsbury Arden Shakespeare, 2018

Shakespeare from the House of Molière: The Comédie-Française/Pathé Live Roméo et Juliette (2016), in Aebischer PV, Greenhalgh S, Osborne L (eds) Shakespeare and the 'Live' Theatre Broadcast Experience, London: Bloomsbury Arden Shakespeare, 2018

Technology and the Ethics of Spectatorship, in The Oxford Handbook of Shakespeare and Performance, Oxford: Oxford University Press, 2017

A Midsummer Night's Streaming: Performing Shakespeare through Social Media, in Callaghan D, Gossett S (eds) Shakespeare In Our Time, London: Bloomsbury (Arden), 2016

Shakespeare with a Difference: Dismembering and Remembering Titus Andronicus in Heiner Muller's and Brigitte Maria Mayer's Anatomie Titus, in A Concise Companion to the Study of Manuscripts, Printed Books, and the Production of Early Modern Texts, Oxford: John Wiley & Sons, 2015, 322-345

Marlowe in the Movies, in Smith E, Bartels E (eds) Christopher Marlowe in Context, Cambridge: Cambridge University Press, 2013, 316-324

with aebischer PV, Prince K, Introduction, in Aebischer PV, Prince K (eds) Performing Early Modern Drama Today, Cambridge: Cambridge University Press, 2012, 1-16

Early Modern Drama on Screen, in Aebischer PV, Prince K (eds) Performing Early Modern Drama Today, Cambridge: Cambridge University Press, 2012, 142-161

Middleton in the Cinema, in Gossett S (eds) Thomas Middleton in Context, Cambridge: Cambridge University Press, 2011, 336-345

Renaissance Tragedy on Film: Defying Mainstream Shakespeare, in Smith E, Sullivan G (eds) The Cambridge Companion to English Renaissance Tragedy, Cambridge: Cambridge University Press, 2010, 116-131

'Violentes fins ont ces violentes delices': Les Oxymores de 'Romeo et Juliette.', in Wieser D, Labarthe P (eds) Memoire et oubli dans le lyrisme europeen: Hommage a John E. Jackson, Paris: Editions Champion, 2008, 33-46

Growing up with Shakespeare: the Memoirs of the Terry Family, in Chedgzoy K, Greenhalgh S, Shaughnessy R (eds) Shakespeare and Childhood, Cambridge: Cambridge University Press, 2007, 169-183

Gender Studies: Shakespeare, Sex and Violence: Negotiating Masculinities in Branagh's 'Henry V' and Taymor's 'Titus', in Henderson DE (eds) A Concise Blackwell Companion to Shakespeare on Screen, Oxford: Blackwell, 2006, 112-132

Shakespeare, the Actress and the Prostitute: Professional Respectability and Private Shame in George Vandenhoff's 'Leaves from an Actor's Notebook.', in Poole A, Marshall G (eds) , Houndmills: Palgrave Macmillan, 2003, 190-202

Black Rams Tupping White Ewes: Race and Gender in the Final Scene of Six Othellos., in Cartmell D, Whelehan I (eds) Retrovisions: Historical Make-overs in Film and Literature, London: Pluto, 2001, 59-73

'Yet I'll Speak:' Silencing the Female Voice in Titus Andronicus and Othello., in Dorval P (eds) Shakespeare et la voix, Paris: Societe Francaise Shakespeare, 1999, 27-46

Reviews

Review of Paul Menzer, Shakespeare in the Theatre: The American Shakespeare Center, Bloomsbury Arden Shakespeare, 2017., Shakespeare Bulletin, vol. 35.4, Johns Hopkins University Press, 2017

Review of The Winter's Tale, Dir. Declan Donnellan for Cheek by Jowl, Silk Street Theatre, London Barbican, 2017., Shakespeare Bulletin, vol. 35.4, Johns Hopkins University Press, 2017

The Year's Contribution to Shakespeare Studies: Shakespeare in Performance, Shakespeare Survey, vol. 64, 2011, 406-434

The Year's Contribution to Shakespeare Studies: Shakespeare in Performance, Shakespeare Survey, vol. 63, Cambridge University Press, 2010, 405-416