Dr Ellen McWilliams
Ellen’s research interests are in the fields of twentieth-century women's writing, Irish, British, American, and Canadian literature, transatlantic literary studies, and writing and diasporic identity.
She is the author of Margaret Atwood and the Female Bildungsroman (2009) and Women and Exile in Contemporary Irish Fiction (2013). She has completd her third book, Irishness in North American Women's Writing: Transatlantic Affinities (Palgrave, 2021), and is in the planning stages of a new project, The Pram in the Hall: Creativity and Domesticity in Post-1950s Fiction. She has a special interest in New York magazine culture and recently published four essays on Maeve Brennan's writing for The New Yorker, including '"A Sort of Rathmines Version of a Dior Design": Maeve Brennan, Self-Fashioning, and the Uses of Style' for Women: A Cultural Review and an article on Brennan's years at Harper's Bazaar, 'Maeve Brennan, Celebrity, and Harper's Bazaar in the 1940s'.
Ellen has received a number of awards for research, including an AHRC Fellowship, a Fulbright Scholar Award, and a British Library-Eccles Centre Visiting Fellowship in North American Studies.
She featured as a panellist on an RTE Radio 1 Book Show programme dedicated to the life and work of Maeve Brennan and coordinated a series on Women Writers and Irish America for The Irish Times to celebrate the centenary of Brennan's birth. She also appeared in the BBC1 documentary 'Imagine... Margaret Atwood' (directed by Katy Homan and presented by Alan Yentob).
Her Office Hours for Semester 2 in 2020 fall on Tuesday and Wednesday (Room 214, Queen's Building) and students are welcome to book appointments via this link.
Ellen has research interests in twentieth-century women's writing, Irish, American, and Canadian literature, writing and diasporic identity, and transatlantic literary relations. She has also published on life writing, self-fashioning and dandyism, New York magazine culture, and James Joyce and influence. Her work has appeared in Women: A Cultural Review, Journal of Gender Studies, Irish Studies Review, The Irish Review, and Éire-Ireland.
Her first book, Margaret Atwood and the Female Bildungsroman, was published in 2009. It received the Margaret Atwood Society Award for Best Book in that year and was reviewed in The European Journal of American Culture, The Review of English Studies, The Journal of American Studies, Contemporary Women’s Writing, The European Legacy, The Routledge Bibliography of English Studies, The Year's Work in English Studies, Zeitschrift für Anglistik und Amerikanistik, and Études Anglaises.
Her second book, Women and Exile in Contemporary Irish Fiction, was published by Palgrave Macmillan in 2013. An early review of the book concluded: ‘McWilliams makes a major contribution to the study of contemporary Irish fiction as well as to the study of the Irish diaspora. Although this is certainly a scholarly book and McWilliams shows a broad and deep understanding of an enormous range of scholarly and theoretical texts, her writing is so direct and clear and her arguments so carefully made that this work will be of interest to and readable by many people outside of the field of literary study… In short, McWilliams gave me a new way of thinking about this fiction, which is exactly what we hope for when we begin reading a scholarly work but all too seldom find’ (Professor Maureen Reddy, Journal of Interdisciplinary Feminist Thought).
Her third monograph, Irishness in North American Women’s Writing: Transatlantic Affinities, will be published by Palgrave Macmillan in 2021.
She is a member of the Editorial Advisory Board of Margaret Atwood Studies and Irish Studies Review and is a reader and reviewer for Women: A Cultural Review, Contemporary Women’s Writing, Journal of Gender Studies, Irish Studies Review, The Canadian Journal of Irish Studies, and Canadian Literature.
Awards for Research
Fulbright Scholar Award in the Humanities; AHRC Fellowship; John F. Kennedy Institute for North American Studies Visiting Fellowship - Free University of Berlin; University of Notre Dame Cushwa Centre for Irish-American Studies Research Award; Fulbright Occasional Lecturer Bursary; Boston College Institute for the Liberal Arts Bursary; Institute of English Studies Visiting Fellowship, School of Advanced Studies, University of London; Clinton Institute for American Studies Visiting Fellowship, University College Dublin; Moore Institute Visiting Fellowship, NUI Galway (2012 & 2015); Margaret Atwood Society Award for Margaret Atwood and the Female Bildungsroman; British Library-Eccles Centre Visiting Fellowship in North American Studies; Canadian High Commission Faculty Research Award; International Council for Canadian Studies Fellowship.
Ellen has participated in a number of programmes funded by the Arts and Humanities Research Council, including the AHRC Engaging with Government Programme (Institute of Government, 2013) and the AHRC Leadership Programme (Clore Duffield Foundation, 2012). She is a member of the Fulbright Ireland Research Mentoring Network.
Lead Supervisor - Kate Limond, '"Mocked with Art": Strategies of Representation in A.S. Byatt’s Fiction'
External impact and engagement
Ellen has been active in widening participation and lifelong learning since the beginning of her academic career. She established the Access to English scheme at the University of Bristol (2003) and the University of Exeter Scholars in English programme (2013).
As a PhD student and Postdoctoral Teaching Fellow at the University of Bristol, she developed a number of lifelong learning programmes on nineteenth- and twentieth-century women’s writing to coincide with BBC Radio 4’s Women’s Watershed Fiction project.
More recently, she has developed a series of outreach and community projects that involved working with community groups, agencies, and research initiatives concerned with the welfare of Irish elders in Britain and the United States, including: the Federation of Irish Societies, the London Irish Women’s Centre, the Aisling Irish Community Centre in New York, and the Gallagher Initiative (Coordinators: Professor Elaine Walsh, Hunter College, CUNY, and Professor Brenda McGowan, Fordham University).
In addition to funding research towards the monograph Women and Exile in Contemporary Irish Fiction, her AHRC Fellowship (2011-2012) supported a conference on 'New Perspectives on Women and the Irish Diaspora' (March 2012), which included a roundtable discussion with charity-based organisations that work closely with the Irish community in Britain. Proceedings of the conference were published as a special issue of Irish Studies Review in 2013 (co-edited with Professor Bronwen Walter, Anglia Ruskin University).
The AHRC also provided funding for a seminar series on 'Women and Exile in Irish Literature and Culture' that she developed in collaboration with the London Irish Women’s Centre in autumn-winter 2011. The seminar series led to the Rian Art Project coordinated by artist Sarah Strong in 2012 and was one of the subjects of Sarah's short film 'I Hear Fish Drowning' (2014).
While on a Fulbright Scholarship to Fordham University in New York in 2012, Ellen ran a lifelong learning reading group in collaboration with the Institute of Irish Studies at Fordham and the Aisling Irish Community Centre in Woodlawn. She gave a number of talks on the writing of Edna O'Brien at the Merriman Summer School dedicated to Emotional Life in Ireland in Co. Clare in 2014.
She has written for The Irish Post and served as an academic consultant for the Federation of Irish Societies, as well as contributing to research for the documentary Breaking Ground: The Story of the London Irish Women’s Centre (Toy Factory Films, 2013). In 2013 she featured as a panellist on an RTE Radio 1 Book Show programme dedicated to the life and work of New York writer Maeve Brennan and in 2017 coordinated a series on Women Writers and Irish America for The Irish Times to celebrate the centenary of Brennan's birth (fellow contributors included Angela Bourke, Claire Bracken, Patricia Coughlan, and Sinéad Moynihan).
She appeared in the 2017 BBC1 documentary 'Imagine... Margaret Atwood' (directed by Katy Homan and presented by Alan Yentob).
Ellen has received a number of awards for teaching including a Faculty of Arts Teaching Prize from the University of Bristol and a University of Exeter Teaching Fellowship.
- EAS1040 - Academic English
- EAS2104 - Crossing the Water: Transatlantic Literary Relations
- EAS2112 - Empire of Liberty: American Literature, 1776 to Present
- EAS3226 - Modern Irish Literature
- EASM100 - The Cultures of American Modernism
- EASM153 - Beyond the Border: The Politics of Place in Contemporary North American Literature and Culture
Ellen studied at University College Cork and the University of Constance and was awarded a National University of Ireland Travelling Prize in English before completing her PhD at the University of Bristol. Prior to being appointed at Exeter, she spent time as a Fulbright Scholar at Fordham University in New York.