Professor Cathy Turner



with Hodge S, Smith P, Persighetti S, Crewes S, The Architect-Walker: A Mis-Guide, Axminster, UK, Triarchy Press, 2018.

Dramaturgy and Architecture: Theatre, Utopia and the Built Environment, London, Palgrave Macmillan, 2015.

with Behrndt S, Dramaturgy and Performance, Basingstoke, Palgrave Macmillan, 2007.

with Hodge S, Persighetti S, Smith P, A Mis-Guide to Anywhere, Exeter, Wrights & Sites, 2006.

with Hodge S, Persighetti S, Smith P, An Exeter Mis-Guide, Exeter, Wrights & Sites, 2003.


with Heddon D, 'Walking Women: Shifting the Tales and Scales of Mobility', Contemporary Theatre Review, no. Special Issue on Site-Specificity and Mobility, Routledge, 2012

Nowe dramatopisarstwo a praca nad sztuką w nurcie devising theatre, Notatnik Teatralny, no. 58-59, 2010, 158-165

with Heddon D, 'Walking Women: Interviews with Artists on the Move', Performance Research, vol. 15, no. 4, 2010, 14-22

'Writing for the contemporary theatre: towards a radically inclusive dramaturgy', Studies in Theatre and Performance, vol. 30, no. 1, Intellect, 2010, 75-90

co-edited journal issue, 'New Dramaturgies',with Synne Behrndt, including individually authored'Mis-Guidance and Spatial Planning: Dramaturgies of Public Space', Contemporary Theatre Review, vol. 20, no. 2, Routledge, 2010, 150-162

'Something to Glance Off: Writing Space', Journal for Writing in Creative Practice, vol. 2, no. 2, Intellect, 2009, 217-230

'Getting the "now" into the written text (and vice versa?): developing dramaturgies of process', Performance Research, vol. 14, no. 1, Routledge, 2009, 106-114

'Surviving Text: Investigating Writing for Experimental Theatre of the 1970s and 1980s (The Freehold, Impact, Lumiere and Son)', Performance Research, vol. 9, no. 3, Routledge, 2004, 9-22

'Say 'Parsley'' (Exhibit created by Caroline Bergvall with Ciaran Maher at Spacex-2, Exeter), PERFORMANCE RESEARCH, vol. 7, no. 2, 2002, 129-131

Cutting it up - Fragments and ruins in Julia Barclay's New York theatre (Performance art, editing), PERFORMANCE RESEARCH, vol. 7, no. 1, 2002, 57-63


Dancing Architecture; Architect-Writing, in Hilevaara K, Orley E (eds) The Creative Critic: Writing As/About Practice, London: Routledge, 2018, 154-164

with Pearson M, Living Between Architectures: Inhabiting Clifford McLucas's Built Scenography, in Filmer A, Rufford J (eds) Performing Architectures, London: Bloomsbury, 2018, 93-108

with Hodge S, The International Festival and the City Space: The Dramaturgy of the Local, in Pewny K, Callens J, Coppens J (eds) Dramaturgies in the New Millennium: Relationality, Performativity and Potentiality, Tubingen: Narr Verlag, 2014, 111-129

Porous Dramaturgy and the Pedestrian, in Trencsenyi K, Cochrane B (eds) New Dramaturgy: International Perspectives on Theory and Practice, London: Bloomsbury, 2014, 199-213

with Hodge S, Smith P, Persighetti S, Performance and the Stratigraphy of Place: Everything You Need to Build a Town is Here, in Graves-Brown P, Harrison R, Piccini A (eds) The Archaeology of the Contemporary World, Oxford: Oxford University Press, 2013, 149-163

with Hodge S, 'Site', in Heddon D, Klein J (eds) Histories and Practices of Live Art (UK), , 2012

'Writing Dialogues: Hare in Collaboration', in Boon R (eds) The Cambridge Companion to David Hare, Cambridge University Press, 2007, 109-122

'Brecht's Galileo: Between Contemplation and the Command to Participate', in Thomson P, Sacks G (eds) The Cambridge Companion to Bertolt Brecht, Cambridge: Cambridge University Press, 2006, 143-159


with Hodge SJ, Smith P, Persighetti S, Walk On: From Richard Long to Janet Cardiff - 40 years of art walking. Printed images + text.. PMG London; NGCA Sunderland; MAC Birmingham; The Atkinson Southport; Plymouth Arts Centre, Plymouth College of Art, Plymouth City Museum and Art Gallery and Peninsula Arts, Plymouth University (26th Mar 2013 - 13th Dec 2014)