Staff profiles

Photo of Professor Melissa Percival

Professor Melissa Percival

Professor (French, Art History and Visual Culture)

4210

01392 724210

 

Academic background

Melissa Percival did her undergraduate degree in French and German at Gonville and Caius College, Cambridge. She returned to Cambridge to write an interdisciplinary PhD on facial expression in the Enlightenment period. She was appointed Lecturer at the University of Exeter in 1996 and promoted to a Personal Chair in 2017. In the course of her career she has held visiting positions at the University of Tübingen, the Ecole Normale Supérieure, Paris, and the University of California Santa Barbara, and the University of Toulouse Jean-Jaurès. She has held Fellowships of the Leverhulme Trust and the Clark Art Institute, Williamstown. Among her research grants she has received awards from the British Academy and the Paul Mellon Centre for Studies in British Art.

 

Research

A specialist in art, literature and history of ideas of the French eighteenth century, Melissa Percival's publications include: Physiognomy and Facial Expression in Eighteenth-Century France (1999), Physiognomy in Profile: Lavater's Impact on European Culture (2005), and Fragonard and the Fantasy Figure: Painting the Imagination (2012). In 2015-16 she co-curated the exhibition 'Ceci n'est pas un portrait': figures de fantaisie de Murillo, Fragonard, Tiepolo at the Musée des Augustins, Toulouse. Her book, Fancy in European Visual Culture, coedited with Muriel Adrien, is forthcoming in 2020 with Oxford University Studies in the Enlightenment. Current research involves costume, anecdote and unorthodox forms of self-presentation in portraiture.

 

Teaching

Melissa Percival teaches on Exeter's undergraduate degree programmes in both Modern Languages and Art History and Visual Culture. She offers a variety of interdisciplinary and research-led modules, for example on 'the face' and on private life in the eighteenth century, as well as contributing to core French language teaching.

She supervises PhD students on topics connected with the eighteenth-century and also French painting and visual culture. She would be happy to talk to any prospective research students who are interested in working in these areas.

Research interests

 
Areas of specialism: Interdsciplinary research on eighteenth-century France. The human face, as it appears at the intersections of art, aesthetics, literature, science and the history of ideas. Theories of the imagination.
 
Melissa Percival's early research was on theories of physiognomy and facial expression during the Enlightenment period. Her first book, The Appearance of Character, showed how controversial theories linking character and physical appearance gained respectability through the discourses of empirical rationalism, connoisseurship and human aspiration. Her next monograph, Fragonard and the Fantasy Figure offered a new interpretation of the series of dazzling and enigmatic figure paintings by Jean-Honoré Fragonard; these were situated in a wider context of single-figure paintings that blur genre boundaries, pose questions about identity and challenge the viewer. Giving tangible form to her earlier research, Melissa curated an exhibition of European fantasy figures at the Musée des Augustins, Toulouse, in 2015-16. Her identification of the European fantasy figure, and consequent remapping of art history, has been hailed by Colin Bailey in the Burlington Magazine as 'a lasting contribution'. She continues to work on the connections between art and imagination, and has a forthcoming edited volume on fancy in visual culture appearing next year in the series Oxford University Studies in the Enlightenment. Her current research explores the theme of risk in portraiture.
 
Melissa is actively involved in impact and public engagement work with the museum sector in France and in this country, including local initiatives as part of the University of Exeter Arts and Culture Strategy.
 

 

 

Research students

 
Current students
Paul Willis,‘The Italian Sketchbooks of Joshua Reynolds’ (2015-­‐).
Ben Shears, 'The Unknown Voltaire: Science and Experimentation in Voltaire's Later Life' (2017-).
Nigel Pratt, ‘Decorative plasterwork in Devon and Somerset c.1560-­‐1670’ (2013-­‐).
Maria Anesti, 'Oriental Arcadia: ‘The Entangled Histories of Living with Nature in China and Europe’ (2015-­‐).

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