Professor James Lyons
CV for Professor James Lyons
Prof. James Lyons is the author of Selling Seattle, profiled in The New York Times as a book 'a visitor ought to read to truly understand the American cities and regions where they live, work and travel.' Read the profile here. He has also appeared in The New York Times talking about his research on Starbucks. Read it here. Prof. Lyons was amongst the first scholars to analyse Starbucks' power as a global brand, in his widely-cited Cultural Studies article '‘Think Seattle, act globally’ Speciality coffee, commodity biographies and the promotion of place.'
Prof. Lyons is also the author of Miami Vice, described by Prof. David Thornburn (MIT) in his Cinema Journal review as 'the richest account of a single television program I've ever read', and co-editor of Quality Popular Television , Multimedia Histories: From the Magic Lantern to the Internet, and The Rise of the American Comics Artist: Creators and Contexts. He is one of the founding editors of the film journal Scope and serves on the editorial advisory board.
His current research spans two overlapping areas of interest. The first is the role of the producer, and the role of performance, in American independent cinema, as explored in the book chapters on 'The American Independent Producer and the Film Value Chain' (Beyond the Bottom Line The Producer in Film and Television Studies, edited by Andrew Spicer, Anthony McKenna, Christopher Meir) and 'Low-flying stars’: the aesthetics of cult stardom in Mumblecore' (Cult Film Stardom: Offbeat Attractions and Processes of Cultification edited by Kate Egan and Sarah Thomas). He has a chapter on American producer Megan Ellison in Indie Reframed: Women Filmmakers and Contemporary American Independent Cinema, edited by Linda Badley, Claire Perkins, and Michele Schreiber.
The second is modes of performance and discourses of risk in recent American independent documentary. His latest book is entitled Documentary, Performance and Risk, and explores how some of the most significant recent American feature documentaries use performance to dramatically animate major categories of risk. He was awarded £50,000 to work with award-winning advertising agency Rubber Republic on a documentary on risk and everyday life as part of the AHRC's REACT Future Documentary scheme. Watch the documentary here: http://risktakersguide.com/. The documentary won the Ramillas Interactive Fund Award at Sheffield International Doc/Fest.
Prof. Lyons's work on risk has also extended to writing a case study on the visualisation of climate change for the Government Chief Scientific Advisor's report "Innovation: Managing Risk, Not Avoiding it", and he is on the expert panel of the EPSRC-funded network Models to Decisions (M2D), which explores decision-making under uncertainty.
I am interested in considering research projects across the broad spectrum of US film and television.
Tom Fallows, ‘Survival of the Dead”: Manufacturing Independence in the American Film Industry. An Exploration of the Political Economy of Laurel Entertainment, 1974-1988, 2015-2019. University studentship funded
Edward Falvey, ‘Reading the Cinematic City: Iconography, Transformations, and the Birth of New York City’, 2013-2017. AHRC funded.
Dr. Falvey is now a lecturer at Plymouth College of Art.
Kerem Bayraktaroglu, ‘The representation of Muslim identity in post 9/11 cinema’, 2012-2017 (P/T).
Chris Davies, ‘The Historical Epic on Film,’ 2012-2015.
Dr. Davies now works at the British Board of Film Classification as a Senior Compliance Officer. His thesis was published as a monograph by Bloomsbury Academic in 2019.
Jean Pierre Magro, ‘Transmedia Film and the Independent Producer,’ 2011-2014.
Dr. Magro is now an international producer, lecturer and consultant on Transmedia storytelling, and was artistic director for Valletta 2018 Capital of Culture.
Adam Whybray, ‘Animating Dissent: The Political Object of Czechoslovakian Stop-Motion Film,’ 2011-2014. AHRC funded.
Joe Hickinbottom, ‘Japanese Cult Cinema,’ 2011-2015. AHRC funded.
Phil Wickham, ‘Contemporary Comedy in Britain and the Culture of the New Capitalism’, 2009-2012.
Dr. Wickham is the Curator of The Bill Douglas Centre for the History of Cinema and Popular Culture.
Nick Hall, ‘The development and use of zoom lenses in American film and television from 1946 to 1974’, 2009-2012. AHRC funded.
Dr. Hall is now a research officer in the Department of Media Arts, Royal Holloway. His thesis was published as a monograph by Rutgers University press in 2018.
Gareth James, ‘HBO and contemporary Television’, 2007-2011. AHRC funded.
Matthew Barber, ‘Representing the American President in Hollywood Cinema’, (P/T) 2002-2009.
Stephanie Piotrowski, ‘The films of The Beatles and the development of the pop music soundtrack’, 2004-2008.
Dr. Piotrowski is lecturer in media studies at Birmingham City University. Her thesis was published as a monograph by Bloomsbury Academic in 2018.
Jennifer McLevey, ‘Towards a new comedy canon: Lasting genre change in television sitcom, 1990-2005’, 2018-present.
Jared Robinson, ‘Studio Greeblie: A Study of Authorship, Cooperation, and Industrial Relationships in Film Special Effects’, 2018-present.
Gonzalo Maza, ‘Screenwriting of Recent Events’, 2017-present. Exeter-LFS Studentship funded.
Mr. Maza won a 2018 Academy Award for his screenplay for A Fantastic Woman (Dir. Sebastián Lelio).
Bogna Starczewska, ‘Woody Allen and the European City: Representations of Globalisation and the American Tourist in Europe’, 2016-present.
Elisa Cepedal, ‘Cinema of Resistance: A Manifesto’, 2015-present. Exeter-LFS Studentship funded.