Dr Kate Hext
My research interests are focused on Aestheticism and Decadence, and their influences on twentieth-century literature, culture, and film. These interests are roughly located in the period 1860-1960, with current emphases on how Decadent aesthetics evolved between 1890 and 1940.
I am motivated by questions regarding post-Darwinian reconceptions of individualism, the evolution of 'art for art's sake', its influence on British Modernism and on Hollywood film in the United States, Modernist conceptions of distinctly felt, sensual moments in time, and the dynamic relationship between 'philosophy' and 'literature'. Like any self-respecting aesthete, I also have an active interest in all sartorial matters and the art of cocktail-making.
My main research project at present has a working title of 'The Legacies of Decadence in Early Hollywood'. It investigates how Aestheticist and Decadent aesthetics and principles were taken up by those who were to become pioneers of the Hollywood film industry. Amongst the -- often unlikely -- figures I am writing on as part of this project are Alla Nazimona, Ronald Firbank, Carl Van Vechten, Ben Hecht, F. Scott Fitzgerald, Nathanael West, Evelyn Waugh, Kenneth Anger, Alfred Hitchcock and Vincente Minnelli.
I have written extensively, and presented dozens of conference papers on, a range of the subjects mentioned above. In April 2015, I and Dr Alex Murray (Queen's University Belfast) organised a conference titled 'Aestheticism and Decadence in the Age of Modernism, 1895-1945', which addressed how the Aestheticist zeitgeist evolved after Wilde's imprisonment. Our essay collection developed out of this conference is under contract with Johns Hopkins University Press. Other essays I have in the process of publication include work on Henry James, Ben Hecht's Decadent stories and the creation of the gangster, Aestheticism's influence on British film, and Oscar Wilde's troubled relationship with Heraclitean time.
In addition to these and the academic publications listed on my publications tab, I write occassional reviews for the TLS. This piece on Women Aesthetes is open-access: 'How to Be a Female Aesthete.'
I would be happy to hear from potential PhD students working of any of the areas or figures listed above, for supervision at either our Exeter or Penryn Campus.
Thematic concerns which shape my research in the late-nineteenth and early-twentieth centuries:
- Aestheticism and Decadence
- Aestheticism/Decadence on film
- Aestheticism and Decadence in the United States
- The relationship between philosophy and literature
- Time/the aesthetic moment
- Literary representations of deviant desire and physical touch
- The emergence of 'queer' identities
- The emergence of theories of novel in the late ninteenth century
The main figures I research:
- Walter Pater
- Oscar Wilde
- Henry James
- T.S. Eliot
- Virginia Woolf
- Ben Hecht
- Vincente Minnelli
- Alla Nazimova
- F. Scott Fitzgerald
- Ronald Firbank
- Carl Van Vechten
I would be happy to hear from students interested in post-graduate research in any of the areas listed in my profile, on either campus.
- TRU1101 - Foundations
- TRU1104 - Reinventions
- TRU3029 - Sex, Scandal and Sensation in Victorian Literature
- TRU3038 - Decadence and the Birth of Modernism
- TRUM023 - Dissertation
I read Philosophy and Literature at the University of Warwick, before completing a Masters in Critical Theory, and PhD on Walter Pater's Individualism, both at the University of Exeter. At Warwick I was President of the Athletics and Cross-Country Club, and my love of long-distance running is still only surpassed by my love of log fires, long novels, and a good G&T (preferably experienced simultaneously).