Dr Adrian Curtin
I joined the department in 2012. I did my doctoral training at Northwestern University, where I was a Presidential Fellow, and completed the Interdisciplinary Ph.D. in Theatre and Drama programme in 2011. I have also studied at Boston College and University College Cork.
I research 'modern', often experimental, Western theatre from the late nineteenth to the early twenty-first centuries. Topics I am especially interested in include theatre sound and aurality, theatrical exploration of mortality, and thematic investigation of music in drama. I welcome enquiries from potential Ph.D. students about any of these areas or on related topics.
My first book, Avant-Garde Theatre Sound: Staging Sonic Modernity, supported by a British Academy/Leverhulme Research Grant, was published by Palgrave Macmillan in 2014. I won the 2015 Early Career Research Prize, awarded by the Theatre and Perfomance Assocation (TaPRA), for this book. My second book, Death in Modern Theatre: Stages of Mortality, will be published by Manchester University Press in 2019.
I am Director of Education for the Drama department.
Students can book an appointment to meet with me during office hours via this link.
I tweet about things that interest me here.
- Western drama and theatre from the late nineteenth century onward that is aesthetically challenging, formally experimental, and/or compositionally complex
- theatre & aurality
- theatre & mortality
- theatre & music
I welcome enquiries from research students on any of these topics or on related fields of interest.
I am working with Dr. Claire Warden (Loughborough University) on a co-edited book collection investigating the legacy of modernism in contemporary theatre.
Research through practice
playing 'the maids' [2013-2015]
I have collaborated with The Llanarth Group (Wales), Gaitkrash Theatre Company (Ireland), and Theatre P'yut (Korea) on a co-created piece of theatre entitled playing 'the maids' -- a montage of text (primarily English-language, with some Mandarin, Korean, and Irish), psychophysical scores, choreography, and sound compositions.
playing ‘the maids’ previewed at the Granary Theatre in Cork in June 2014 as part of the Cork Midsummer Festival. It premiered at Chapter Arts Centre, Cardiff, in February 2015 before touring other venues in Wales. This tour was funded by the Arts Council of Wales.
External impact and engagement
- Staging Mortalitity: Provocation & Conversation [November 2016, Barnfield Theatre, Exeter, part of the Being Human festival]