Professor Sally Faulkner

Publications

Books

Un historia del cine espaNol: cine y sociedad 1910-2010, Madrid; Frankfurt, Iberoamericana-Vervuert, 2017.

with Liz M, 'Portuguese Film: Colony, Postcolony, Memory', Special Issue of the Journal of Romance Studies, New York; Oxford, Berghahn, 2016.

Middlebrow Cinema, London, Routledge, 2016.

A History of Spanish Film: Cinema and Society 1910-2010, New York, Bloomsbury Academic, 2013.

with Flitter D, Memory and Exile in Twentieth- and Twenty-First Century Spanish Culture. A Special Edition of Journal of Iberian and Latin American Research., Routledge, 2011.

A Cinema of Contradiction: Spanish Film in the 1960s., Edinburgh University Press, 2006.

Literary Adaptations in Spanish Cinema., Tamesis-Boydell & Brewer, 2004.

Articles

'Portuguese Film: Colony, Postcolony Memory', Journal of Romance Studies, Berghahn Journals, 2016, 1-11

with Martins A, Intermedial dialogue in A Costa dos Murmúrios / The Murmuring Coast (Lídia Jorge 1988 / Margarida Cardoso 2004): Novel, photography, film, Journal of Romance Studies, vol. 16, no. 2, 2016, 36-57

Cinephilia and the unrepresentable in Miguel Gomes' Tabu (2012), Bulletin of Spanish Studies, vol. 92, no. 3, Routledge, 2015, 341-360

with Flitter D, Memory and Exile in Twentieth- and Twenty-First Century Spanish Culture, Journal of Iberian and Latin American Research, vol. 17, no. 1, 2011, 1-3

Imagining Time, Embodying Time in David Trueba's Soldados de Salamina (2003), Journal of Iberian and Latin American Research, vol. 17, no. 1, 2011, 81-94

El príncipe destronado (Miguel Delibes 1973) / La guerra de papá (Antonio Mercero 1977) and Third Way Spanish Cinema, Revista Arbor (Centro Superior de Investigaciones Científicas), vol. 187, no. 748, 2011, 279-285

Lola Cercas en Soldados de Salamina (David Trueba, 2003), Historia Actual Online, vol. 15, 2008, 165-170

Identity and Nationality in Basilio Martín Patino's Nueve cartas a Berta (1965), Bulletin of Spanish Studies, vol. 83, no. 3, 2006, 383-397

Ageing and Coming of Age in Carlos Saura's La caza (The Hunt 1965)., MLN, vol. 120, no. 2, 2005, 457-484

New Spanish Cinema in the 1960s: Interviews with Antxón Eceiza and Julio Diamante, Studies in Hispanic Cinemas, vol. 2, no. 3, 2005, 205-216

A Cinema of Contradiction: La tía Tula (Picazo 1964) and the Nuevo Cine EspaNol., Modern Language Review, vol. 99, no. 3, 2004, 651-664

The Question of Authenticity: Camus's Film Adaptation of Cela's La colmena, Studies in Hispanic Cinemas, vol. 1, no. 1, 2004, 17-25

Catalan City Cinema: Violence and Nostalgia in Ventura Pons's Carícies, New Cinemas: Journal of Contemporary Film, vol. 1, no. 3, 2003, 141-148

Artful Relation: BuNuel's Debt to Galdós in Nazarín and Tristana, Hispanic Research Journal, vol. 4, no. 1, 2003, 73-89

Chapters

'Middlebrow Erotic: Didactic Cinema in the Transition to Democracy', in Spanish Erotic Cinema, , 2017, 109-124

Introduction. Approaching the Middlebrow: Text; Audience; Institution, in Middlebrow Cinema, London: Routledge, 2016, 1-12

Rehearsing for democracy in dictatorship spain: Middlebrow period drama 1970-77, in Middlebrow Cinema, , 2016, 88-106

Performing the Nation: Mannerism and Mourning in Spanish Heritage Cinema, in Allbritton D, Melero A (eds) Performance and Spanish Film, Manchester: Manchester University Press, 2016

Spanish Heritage Cinema, in Harrod M, Liz M (eds) The Europeanness of European Cinema, London & New York: I.B. Tauris, 2015, 213-226

The Galdos Intertext in Viridiana (BuNuel 1961), in Stone R, Gutierrez-Albilla J (eds) Companion to Luis Buñuel, Oxford: Wiley-Blackwell, 2013, 381-398

with Sanchez-Biosca V, Smith PJ, Cinema, Popular Entertainment, Literature, and Television, in A Companion to Spanish Cinema, , 2012, 489-517

'Solas (Zambrano, 1999): Andalousian, European, Spanish?', in Sánchez-Conejero C (eds) Spanishness in the Spanish Novel and Cinema of the 20th - 21st Century, Newcastle: Cambridge Scholars Publishing, 2007, 237-246

'Las alas cortadas: El género y el espacio en las adaptaciones al cine y a la televisión de Fortunata y Jacinta de Pérez Galdós' ('Clipped Wings: Gender and Space in the Film and Television Adaptations of Pérez Galdós's Fortunata y Jacinta'), an invited re-publication of my chapter, originally published in Espacios de género, ed. by Pilar Cuder Domínguez, Mar Gallego Durán and Auxiliadora Pérez Vides (Seville: Alfar, 2005), pp. 223-32., in Herrero J, Martínez-Carazo C (eds) Hispanismo y Cine, Madrid and Frankfurt: Iberoamericana and Vervuert, 2007, 337-346

Nostalgia and the Middlebrow: Spanish Ruralist Cinema and Mario Camus's Los santos inocentes / The Holy Innocents, in Fowler C, Helfied G (eds) Representing the Rural: Space, Place and Identity in Film about the Land, Wayne State University Press, 2006, 35-47

Editorials

with Flitter D, Introduction: Memory and exile in twentieth- and twenty-first century spanish culture, Journal of Iberian and Latin American Research, vol. 17, no. 1, 2011, 1-3