Photo of Dr Joe Kember

Dr Joe Kember

Publications

Books

with Plunkett J, Sullivan J, Popular Exhibitions, science, and Showmanship, London, Pickering and Chatto, 2012.

Marketing modernity: Victorian Popular Shows and Early Cinema, Exeter, University of Exeter, 2009.

with Popple S, Early cinema, Wallflower Press, 2004.

Articles

From Plato to Lumiere: Narration and monstration in literature and cinema, EARLY POPULAR VISUAL CULTURE, vol. 9, no. 3, 2011, 262-264

Go thou and do likewise: Advice to Lantern and Film Lecturers in the Trade Press, 1897-1909, Early Popular Visual Culture, vol. 8, no. 4, 2010, 419-430

Productive intermediality and the expert audiences of magic theatre and early film, EARLY POPUL VIS CULT, vol. 8, no. 1, ROUTLEDGE JOURNALS, TAYLOR & FRANCIS LTD, 2010, 31-46

The Functions of Showmanship in Freak Show and Early Film, Early Popular Visual Culture, vol. 5, no. 1, 2007, 1-23

The Cinema of Affections: The Transformation of Authorship in British Cinema Before 1907, The Velvet Light Trap, vol. 57, no. 1, 2006, 3-16

The view from the top of Mont Blanc: The Alpine Entertainment in Victorian Britain, Living Pictures: The Journal of the Popular and Projected Image before 1914, vol. 2, no. 1, 2003, 21-45

Face Value: The Rhetoric of Facial Disfigurement in American Film and Popular Culture, 1917-27., Journal of War and Culture Studies

Chapters

'A judge of anything and everything: Charles Urban and the Role of the Producer-Collaborator in Early British Film'., in Spicer A, McKenna AT, Meir C (eds) Beyond the Bottom-Line: The Producer in Film and Television Studies., London: Continuum, 2014, 27-44

Professional Lecturing in Early British Film Shows, in Davison A, Brown J (eds) The Sounds of the Silents in Britain, Oxford: OUP, 2012

Child's Play: Participation in Urban Space in Weegee's, Dassin's, and Debord's Versions of Naked City., in Carroll R (eds) Adaptation in Contemporary Culture: Textual Infidelities, London: Continuum, 2009, 72-85

Popular Sensations: Gaskell, Boucicault, and the IMP Film Co, in Popple S (eds) Visual Delights II: Exhibition and Reception, John Libbey, 2005, 46-59

David Lynch and the Mugshot: Facework in the Elephant man and the Straight Story, in Davison A, Sheen E (eds) The Cinema of David Lynch, London: Wallflower Press, 2004, 19-34

Face-to-face: The facial expressions genre in early British film, in Burton A, Porter L (eds) The showman, the spectacle and the two-minute silence, Trowbridge: Flicks Books, 2001, 28-39

It was not the show, it was the tale that you told: Early Film Lecturing on the British Fairground, in Popple S, Toulmin V (eds) Visual Delights: The Popular and Projected Image in the Nineteenth Century, Trowbridge: Flicks Books, 2000, 61-71

Reviews

New work on cinema exhibition history, Early Popular Visual Culture, vol. 11, no. 3, 2013, 279-291

Editorials

with Plunkett J, Sullivan J, What is an exhibition culture?, Early Popular Visual Culture, vol. 8, no. 4, 2010, 347-350