Photo of Professor Nick Kaye

Professor Nick Kaye

Research interests

Nick Kaye's research focuses on the history of post-war experimental performance, with emphasis on the relationship between theatre and the development of ideas and practices through distinct but related disciplines, including sculpture, architectural theory, conceptual and performance art, aspects of experimental music, installation, video art and video installation. 

His books include: Postmodernism and Performance (1994), Art into Theatre: Performance Interviews and Documents (1996), Site-Specific Art: Performance, Place and Documentation (2000), Staging the Post-Avant-Garde: Italian Performance After 1970' (co-authored with Gabriella Giannachi  2002), Multi-media: video - installation -  performance (2007), Performing Presence: Between the Live and the Simulated (co authored with Gabriella Giannachi, MUP: 2011) and Archaeologies of Presence (co-edited with Gabriella Giannachi and Michael Shanks, Routledge, 2012).