Photo of Dr Konstantinos Thomaidis

Dr Konstantinos Thomaidis

Publications

Books

Theatre and Voice, Springer, 2017.

with Macpherson B, Voice Studies Critical Approaches to Process, Performance and Experience, Routledge, 2015.

Articles

with Theodoridou N, Undesigning sound: AdriftPM's Portable Soundscapes, Theatre and Performance Design, vol. 2, no. 3-4, 2016, 250-265

with Karikis M, Mitchener E, Walker J, Voice in devising/devising through voice: A conversation with Mikhail Karikis, Elaine Mitchener and Jessica Walker, Journal of Interdisciplinary Voice Studies, vol. 1, no. 2, 2016, 173-182

with Macpherson B, Can it be you that I hear?, Journal of Interdisciplinary Voice Studies, vol. 1, no. 1, 2016, 3-8

with Butcher S, 'The voice is the guide to the experience as well as the experience itself': An interview with non zero one, Journal of Interdisciplinary Voice Studies, vol. 1, no. 1, Intellect, 2016, 71-84

The revocalization of logos? Thinking, doing and disseminating voice, Studies in Musical Theatre, vol. 8, no. 1, Intellect, 2014, 77-87

Of hooligan actors, football and voices, Theatre, Dance and Performance Training, vol. 3, no. 2, 2012, 242-255

Chapters

Voice: Forensics and Performance, in Bryon E (eds) Performing Interdisciplinarity: Working Across Disciplines Through an Active Aesthetic, Abingdon, UK and New York, USA: Routledge, 2018

The Re-vocalization of Logos? Thinking, Doing and Disseminating Voice, in Voice Studies: Critical Approaches to Process, Performance and Experience, Abingdon, Oxon & New York, NY: Routledge, 2015, 10-21

Musicianship Above All? New Perspectives on Training Towards Integrated Bel Canto Performance, in Fiona Jane Schopf (eds) Music on Stage, , 2015, 245-252

Introduction: Voice(s) as a Method and an In-Between, in Thomaidis K, Macpherson B (eds) Voice Studies: Critical Approaches to Process, Performance and Experience, Abingdon, Oxon & New York, NY: Routledge, 2015, 3-9

What is Voice Studies? Konstantinos Thomaidis, in Thomaidis K, Macpherson B (eds) Voice Studies: Critical Approaches to Process, Performance and Experience, Abingdon, Oxon & New York, NY: Routledge, 2015, 214-216

Singing From Stones: Physiovocality and Gardzienice's Theatre of Musicality, in Gestures of Music Theater: The Performativity of Song and Dance, Oxford, UK: Oxford University Press, 2014, 242-258

The Vocal Body, in Sandra Reeve (eds) Body and Performance, Devon: Triarchy Press, 2013, 85-98

Performances

with Theodoridou N, Portable Soundscapes: An Acoustic Travelogue, Portsmouth, UK; Paris, France; Munich, Germany; Zagreb, Croatia; Belgrade, Serbia; Thessaloniki, Greece

Conferences

Between Preservation and Renewal: the Use of Recording Devices in Modern Pansori Training, TaPRA 2013, University of Glasgow and Royal Conservatoire of Scotland, 4th - 6th Sep 2013

Editorial comments

with Macpherson B, Voice and/as devising, Journal of Interdisciplinary Voice Studies, vol. 1, no. 2, 2016, 113-115

with Magnat V, A Diphonic Editorial: Voicing Belonging: Traditional Singing in a Globalized World, Journal of Interdisciplinary Voice Studies, vol. 2.2, Intellect

Internet publications

Verbatim Practices, the Acoustics of Training, and Giving Voice: A Voice Studies Afterthought, Routledge, 2016

Others

with Virginie Magnat, Voicing Belonging: Traditional Singing in a Globalized World, Journal of Interdisciplinary Voice Studies, vol. 2, no. 2, Intellect, 2017