Photo of Dr Michael Pearce

Dr Michael Pearce



Black British Drama A Transnational Story, Routledge, 2017.


Tracing Black America in Black British Theatre from the 1970s, National Theatre, 2013


'Why then the world's mine oyster / Which I with sword will open'. Africa, diaspora, Shakespeare: Cross-cultural encounters on the global stage, in Jarrett-Macauley D (eds) The Diverse Bard: Race, Shakespeare and Contemporary Britain, London: Routledge, 2016

Kwame Kwei-Armah's African-American Inspired Triptych, in Brewer M, Goddard L, Osborne D (eds) Modern and Contemporary Black British Drama, London: Palgrave Macmillan, 2015

Roy Williams, in Rebellato D (eds) Modern British Playwriting 2000-2009: Voices, Documents, New Interpretations, London: Methuen Drama, 2013


Routes to Roots: Black British Representations of Africa via Black America, African Theatre Association Annual International Conference, Loyola Marymount University, Los Angeles, USA, 23rd - 26th Jul 2015

'Why then the world's mine oyster/ Which I with sword will open'. Looking beyond the nation: Thinking about British Black and Asian Shakespeare transnationally., Mapping British Black and Asian Shakespeare from 1930 to 2012, Warwick University

Black British Theatre: A Transnational Perspective, Pre-sessional conference, University of Exeter