Professor Graham Ley
with S Dadswell, Critical Essays on British South Asian Theatre, Exeter, University of Exeter Press, 2012.
with S Dadswell, British South Asian Theatres: a documented history, Exeter, University of Exeter Press, 2011.
The Theatricality of Greek Tragedy: Playing-Space and Chorus., University of Chicago Press, 2006.
'Diaspora Space, the Regions, and British Asian Theatre', New Theatre Quarterly, vol. XXVII.3, no. 107, Cambridge University Press, 2011, 215-228
Composing a History: Problematics of the British Asian Theatre Research Project at Exeter, Studies in Theatre and Performance, vol. 30, no. 2, 2010, 225-232
'Discursive Embodiment': The Theatre as Adaptation, Journal of Adaptation in Film and Performance, vol. 2, no. 3, 2009, 201-209
The Nameless and the Named: Techne and Technology in the Ancient Athenian Theatre., Performance Research, vol. 10, no. 4, 2005, 97-104
Re-reading Stephen Sewells Traitors: Ideology and Gender in the Australian Play., Modern Drama, vol. 48, no. 1, 2005, 108-117
HYPOKRINESTHAI in Homer and Herodotus, and the function of the Athenian Actor, Philologus, vol. 127, no. 1, AKADEMIE VERLAG GMBH, 1983, 13-29
Rehearsing Aristophanes, in Harrison G, Liapis V (eds) Performance in Greek and Roman Theatre, Leiden: Brill, 2013, 291-308
Theatre and Diversity - a Challenge for Arts Policy, in Theater und Migration, Koln: Transcript Bielefeld, 2011
'Cultural Politics and Aesthetic Debate in Two Modern Versions of Aristophanes' Frogs’, in Haase PW (eds) Ancient Comedy and Reception, Rutgers University Press, 2011
Modernism and Theatricality: A Problematic, in Eysteinsson A, Liska V (eds) A Comparative History of Literature in European Languages: Modernism, Amsterdam: John Benjamins, 2007, 531-544
A Material World: Costume, Properties and Scenic Effects., in Walton M (eds) The Cambridge Companion to Greek and Roman Theatre, Cambridge University Press, 2007, 268-285
British South Asian Theatres and the Global South Asian Diaspora, South Asian Popular Culture, vol. 7, no. 3, 2009
Beyond Postmodernism, Contemporary Theatre Review, vol. 18, no. 3, 2008, 287-408