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Stephen Hodge
Research through practice
Possible Cities
The research impetus for this practice-as-research project lies in Wrights & Sites' increasing number of conversations with city architects and planners, including Jan Gehl, the Danish architect and academic whose practice is centred on 'life between buildings'.
'Rethinking The City' is a series of provocations, aimed at rethinking/replanning the 21st Century City through performance-related walking practices, papers and presentations. It comprises:
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three co-authored events at 'Everyday Walking Culture' (the sixth international conference on walking in the 21st century, organised by Walk21, with the support of the City of Zürich, Building Department of the Canton of Zürich, Swiss Federal Roads Authority, Federal Office for Spatial Development, Swiss Federal Office of Public Health, Health Promotion Switzerland, Federal Office of Sports (Magglingen), Swiss Federal Office of Energy, Hamasil Stiftung Schweiz, Swiss Pedestrian Association) (Zürich, September 2005)
- 'Walking Arts & Performance' - a day-long, pre-conference workshop for international artists, co-curated by Stephen and Phil Smith
- A Manifesto for a New Walking Culture: dealing with the city - a co-authored plenary paper delivered to full conference
- Mis-guided in Zürich - mind the MAP - a co-authored guided walk/performance for an area of a city never visited before.
- A Manifesto for a New Walking Culture: dealing with the city - a co-authored article (transcript of Zürich plenary paper) in Performance Research (ISSN: 1352-8165, Issue 11.2, 'Indexes', June 2006)
- Exeter Everyday - a week of day-long festivals exploring the ways in which people remake the city through action on a daily basis - funded by Exeter Arts Council (Exeter, July 2006)
- a series of research drifts, co-authored by Stephen Hodge and Berlin-based, walking artist, Daniel Belasco Rogers - one of seven Arts Council England funded projects (£30,000 total) generated by the eight members of the New Theatre Architects and going under the umbrella title 'What is a theatre? Where is it and how do you get there?' - initiated in 2003 by David Micklem, former Theatre Strategy Officer at Arts Council England's national office, the thinktank seeks to challenge artists and organisations to think about new models for making and supporting theate in England - four artist pages emerged from the research drifts, and are with the editors of Performance Research (ISSN: 1352-8165, Issue 12.2, 'On The Road', June 2007)
- 'Simultaneous Drift (4 walks, 4 routes, 4 screens)' - a co-authored, performance-lecture, accompanied by split-screen video documentation of a simultaneous drift, commissioned by Situations, part of the Place Research Centre at the University of the West of England, in association with Arnolfini and the University of Bristol (Arnolfini, Bristol, October 2006) - [ view transcript ]
- three guided walks/performances exploring filmic representations of Soho for Living Streets, the Pedestrians Association (London, November 2006)
- Stadtverführungen in Wien, a co-production with Tanzquartier Wien and the Vienna Festival - concept development based on the company's principals of mis-guidance and mythogeography; co-curation with an expert jury from the spheres of sociology and urban planning (Anette Baldauf), cultural philosophy and anthropology (Professor Herbert Lachmayer), composition and music (Bernhard Lang), and architecture (Bärbel Müller); leading workshops and coaching sixteen selected artists, resulting in 145 tours of Vienna over a three-week period; creating a thirty-minute performance-lecture for the project launch (October 2006-June 2007) - [download the German brochure as a PDF file ]
Except where stated, this practice-as-research project is co-authored with other members of Wrights & Sites (Simon Persighetti, Phil Smith and Dr Catherine Turner).
Possible Forests
'Possible Forests' is a body of practice-as-research aimed at transferring Wrights & Sites' practices of urban exploration, surrealistic derambulation, mis-guidance and spatial planning from the city to the trees.
Working in partnership with the Centre for Contemporary Art and the Natural World (in Haldon Forest Park, which the Forestry Commission is in the process of replanning), the project comprises a number of interlinked elements:
- 'Forest Drift', a day-long, public, exploratory drift within the bounds of the forest, exploring the Forestry Commission's new walkways, overgrown tracks and desire paths (September 2006)
- a series of documented reconnaissance drifts/dialogues (discussing ways of experiencing, re-imagining and planning the forest landscape) with specialists in eight different fields, including architecture, Jungian psychology, choreography and computer software design - each drift followed by a session in which the specialist and Wrights & Sites construct new plans for the forest (Spring & Summer 2007)
- a split-screen DVD video documentation of a simultaneous drift in the forest by the four core members of Wrights & Sites (Summer 2007)
- a public exhibition of maps, texts and video at the Centre for Contemporary Art and the Natural World's forest base (September 2007)
- a day-long symposium and practical workshop, bringing together Wrights & Sites, the partner specialists and the public (September 2007)
- DVD-ROM documentation of the constituent elements, constructed by Stephen Hodge working in consultation with Peter Hulton of the Arts Documentation Unit (Autumn 2007)
Except where stated, this practice-as-research project is co-authored with other members of Wrights & Sites (Simon Persighetti, Phil Smith and Dr Catherine Turner).
An Exeter Mis-Guide
96 pages, ISBN-13: 9780954613006, September 2003
This practice-as-research publication is the result of three years of disrupted walking by Wrights & Sites, using the city of Exeter as their laboratory. Through extended drifts, alone and with invited individuals/groups, at different times of day/year, the research process aimed to:
- playfully explore/challenge existing spatial models generated by municipal organisations, the heritage and tourism industries, different academic/artistic discourses, etc.
- generate a series of frameworks for activities in specific sites and landscapes within the city of Exeter, allowing the writer and walker to become partners in ascribing significance to place
It was equally co-authored with other members of Wrights & Sites (Simon Persighetti, Phil Smith and Dr Catherine Turner). It was funded by the Local Heritage Initiative (£8,338), Arts Council England (£4,000) and Exeter Arts Council (£400).
Directly associated research-based outcomes include:
- a co-authored commission by the Courtauld Institute of Art , London for the two-year exhibition of international artists, 'East Wing Collection 06 (Urban Networks)', 2003-5: the work comprised four mapped walks (1 by each author) - [ view page 1 ] - [ view page 2 ]
- a contribution to The Lonely Planet Guide to Experimental Travel, 2005 (one of Stephen's walks from 'An Exeter Mis-Guide' was case-studied as one of forty examples of experimental travel)
- 'On An Exeter Mis-Guide', a solo paper by Stephen for the 'Live Art Symposium', Newlyn Art Gallery (September 2003)
'An Exeter Mis-Guide' has been taught in a number of university theatre/drama departments (including Roehampton, Lancaster & Glasgow). Its focus on spatial practices means that it is also taught across disciplines, for example, in the departments of Geography at the University of Durham, Sociology at Manchester Metropolitan University, Art History at Shanghai University (China) and Cinema & Media at Carleton College (Minnesota, USA).
On-line links:
- sample pages
- reviews
- example citations:
- Rhizomes, Autumn 2004 (ISSN: 1555-9998 - Bowling Green State University, Department of English)
- Reconstruction: Studies in Contemporary Culture, Winter 2005 (ISSN: 1547-4348)
- buy the book from Amazon
A Mis-Guide To Anywhere
120 pages, ISBN-13: 9780954613013, April 2006
The research impetus for this practice-as-research publication was the interest in An Exeter Mis-Guide beyond the bounds of the city of Exeter. The research imperatives were to:
- find ways to adapt the site-specific practices of An Exeter Mis-Guide for generic application (to explore connections and differences between local and global, personal and communal, here and elsewhere/anywhere)
- consolidate long-term research (walking experiments funded by the Centre for Creative Enterprise & Participation in Manchester, Milton Keynes, Copenhagen, Paris, New York, Zambia, and other locations around the world)
- produce a tool in the form of a book that could stimulate further activities/collaborations between Wrights & Sites and partners in other locations
It was equally co-authored with other members of Wrights & Sites (Simon Persighetti, Phil Smith and Dr Catherine Turner). It was funded by Arts Council England (£18,000) and the Centre for Creative Enterprise & Participation (£10,000), and launched at the Institute of Contemporary Arts, London.
Directly associated research-based outcomes:
- 'Mis-Guiding the City Walker', a co-authored paper for 'Cities for People' (the fifth international conference on walking in the 21st century, organised by the Centre for Public Space Research, the Realdania Foundation, Walk21 and Copenhagen X), (Copenhagen, June 2004)
- lectures and workshops (Central School of Speech and Drama, Loughborough University and The Red Room, 2004-2005)
- 'Mis-Guided To Anywhere', a co-authored exhibition and two-day workshop for Urbis, the museum of the city (Manchester, November 2004)
- 'Subverting the City: A Mis-Guide to Milton Keynes', a short documentary on Wrights & Sites made by Optimistic Productions for Channel 4's '3 Minute Wonder' slot (Milton Keynes, January 2005)
- 'The Mis-Guide Project', a solo paper by Stephen for the 'Site Recited' panel at the National Review of Live Art (Glasgow, February 2006)
- 4 Mis-Guided Tours (one by each author) at the Institute of Contemporary Arts (London, April 2006)
- 4 Screens #2: A Mis-Guide To Anywhere, a co-authored multi-media installation edited by Stephen for PSi#12: Performing Rights, hosted by Queen Mary, University of London, in collaboration with East End Collaborations & the Live Art Development Agency (London, June 2006)
- 'Dislocation dislocation dislocation: Mis-Guided walking in the company of Wrights & Sites' - a forty-five minute, solo presentation by Stephen for 'Liverpool Live 06 - a festival of urban apparition' - commissioned by Bluecoat Arts Centre and the Live Art Development Agency as part of the Liverpool Biennial 2006 (Liverpool, October 2006)
As with An Exeter Mis-Guide, the book has been used to teach across a range of disciplines, from Performance Studies at Tisch School of Arts (New York University) to Design Studies at the University of Otago (New Zealand) and Geography at the University of Manchester.
On-line links:
- sample pages
- 'Wri(gh)ting Walking', a review by Fiona Wilkie in PAJ: A Journal of Performance and Art - PAJ 86 (Volume 29, Number 2), May 2007, pp. 108-112
- other reviews
- example citations:
- buy the book from Amazon
- buy the book from the Centre for Performance Research
- buy the book from Unbound (@ Live Art Development Agency)
