Professor Jerri Daboo



Beyond The Broadway: Performance, Culture and Social Change in Southall, Peter Lang, 2018.

Staging British South Asian Culture: Bollywood and Bhangra in British Theatre, Routledge, 2017.

with Zarrilli P, Loukes RM, Acting: Psychophysical Phenomenon and Process - Intercultural and Interdisciplinary Perspectives, Palgrave Macmillan, 2013.

Ritual, Rapture and Remorse: A Study of Tarantism and Pizzica in Salento, Oxford, Peter Lang, 2010.


To Be Re-Bitten and to Re-Become: examining repeated embodied acts in ritual performance, Performance Research: a journal of the performing arts, vol. 20, no. 5, Taylor & Francis (Routledge), 2015

To learn through the body: teaching Asian forms of training and performance in higher education, Studies in Theatre and Performance, vol. 29, no. 2, Intellect, 2009, 121-131

Michael Chekhov and the Embodied Imagination: Higher Self and non-self, Studies in Theatre and Performance, vol. 27, no. 3, Intellect, 2007, 261-273

Unveiled: interrogating the use applied drama in culturally-specific sites., Research in Drama Education, vol. 12, no. 1, 2007, 55-64

One Under the Sun: Globalization, Culture and Utopia in Bombay Dreams., Contemporary Theatre Review, vol. 15, no. 3, 2005, 330-337

Removing the writing from the wall, and then removing the wall., Studies in Theatre and Performance, vol. 23, no. 2, 2003, 125-134

The Altering I/Eye: Consciousness, 'Self', and the New Paradigm in Acting, Consciousness, Literature and the Arts, vol. 8, no. 3


Demystifying or Destroying? Cultural heritage and tradition in playing the tabla, and developing the electronic tabla and digital notation system, in Whatley S, Cisneros R, Sabiescu A (eds) Digital Echoes: Spaces for Intangible and Performance-based Cultural Heritage, Cambridge: Cambridge Scholars Publishing, 2016

As the shadow follows the body: Examining Chekhov's creation of character through Eastern practices, in Autant-Mathieu M (eds) The Routledge Companion to Michael Chekhov, Routledge, 2015

Mixing with the Mainstream: Transgressing the Identity of Place, in Ley PG, Dadswell DS (eds) British South Asian Theatre: Critical Essays, Exeter: University of Exeter PRess, 2012

Michael Chekhov and the Studio in Dartington: the re-membering of a tradition, in Pitches PJ (eds) The Russians in Britain: British Theatre and the Russian Tradition of Acting, Routledge, 2011, 62-85

The Altering I/Eye: Consciousness, 'Self' and the New Paradigm in Acting, in Meyer-Dinkgrafe D, Brask P (eds) Performing Consciousness, Cambridge: Cambridge Scholars Press, 2010, 143-161

To Know the Self is to Forget the Self: the Bodymind in Performance., in Jagiellonian, University, Press (eds) The Human Body, A Universal Sign: Bridging Art with Science, Krakow: , 2007

Articles in press

The Arts Britain still Ignores?andlt;supandgt;*andlt;/supandgt;, Studies in Theatre and Performance, 2017, 1-6