Contemporary Visual Practices (AHV2007)

StaffDr Sabrina Rahman - Convenor
Credit Value15
ECTS Value7.5
NQF Level5
Pre-requisitesNone
Co-requisitesNone
Duration of Module Term 2: 11 weeks;

Module aims

This module aims to allow you to:

  • gain the knowledge and skills necessary to critically approach a range of issues in contemporary visual culture
  • develop a good understanding of historical discourses and critical theory, and how these can be applied to things we see and experience in institutions and everyday life
  • consider the production, circulation and consumption of visual culture, as well as the dynamics between past and present, social and political
  • address issues of identity in the contemporary global world – such as class, gender, race, and sexuality – in relation to emerging technologies and heritage industries
  • consider circuits of visual culture within built and virtual environments, both locally and globally

In addition to the refinement of critical thinking skills, there will be a strong emphasis on practices of making and display; this will include the development of curatorial skills and creative interactions with archives, museums and other cultural institutions. This will enhance your research interests and transferable skills, preparing you for further specialisation in the final stage.

ILO: Module-specific skills

  • 1. critically evaluate the dominant concepts, methods and debates informing the study of visual culture
  • 2. apply a variety of methodologies and theoretical approaches to the interpretation of examples of contemporary visual culture
  • 3. analyse the ways in which visual culture operates in a wide range of contexts and media
  • 4. develop skills in curatorial practice and community-engaged research

ILO: Discipline-specific skills

  • 5. independently research, present and critically evaluate examples of visual culture in relation to wider intellectual and socio-political discourses
  • 6. critically engage with relevant scholarly texts and cultural documents, and relate them to a range of visual practices

ILO: Personal and key skills

  • 7. demonstrate appropriate research and bibliographic skills, and construct a coherent, substantiated argument based on visual analysis and scholarly literature
  • 8. demonstrate proficiency in information retrieval and analysis
  • 9. develop confidence in verbal communication
  • 10. develop appropriate time-management skills for private study, and work collaboratively with peers

Syllabus plan

The module will consist of a series of lectures and workshops. Lectures will be structured around a weekly theme and the critical analysis of relevant images. Workshops will give you the opportunity to engage with specific themes in greater detail, discuss and analyse scholarly texts, and explore more practical aspects of visual culture and its dissemination. Topics may include:

  • Visual culture and the environment
  • Visual culture and migration
  • Visual cultures of gender and sexuality
  • Community participation in contemporary arts
  • Contemporary heritage industries

A visit to the Arnolfini in Bristol will focus on issues in curating contemporary visual culture. This will prepare you for curating a collaborative virtual exhibition in the second half of the term.

Learning activities and teaching methods (given in hours of study time)

Scheduled Learning and Teaching ActivitiesGuided independent studyPlacement / study abroad
231270

Details of learning activities and teaching methods

CategoryHours of study timeDescription
Scheduled learning and teaching activities11Weekly lectures (11 x 1 hour)
Scheduled learning and teaching activities10Workshops (5 x 2 hours)
Scheduled learning and teaching2Field trip
Guided independent study127Independent study including reading, research, preparation for workshops and assessments

Formative assessment

Form of assessmentSize of the assessment (eg length / duration)ILOs assessedFeedback method
Mini-essay750 words1-8Feedback sheet with opportunity for tutorial follow-up
Small group project5-10 minutes1-10Peer-assessment recorded on feed-back sheet with tutorial follow-up

Summative assessment (% of credit)

CourseworkWritten examsPractical exams
10000

Details of summative assessment

Form of assessment% of creditSize of the assessment (eg length / duration)ILOs assessedFeedback method
Essay1002500 words1-8Feedback sheet with opportunity for tutorial follow-up

Details of re-assessment (where required by referral or deferral)

Original form of assessmentForm of re-assessmentILOs re-assessedTimescale for re-assessment
EssayEssay1-8Referral/deferral period

Re-assessment notes

Deferral – if you miss an assessment for certificated reasons judged acceptable by the Mitigation Committee, you will normally be either deferred in the assessment or an extension may be granted. The mark given for a re-assessment taken as a result of deferral will not be capped and will be treated as it would be if it were your first attempt at the assessment.

Referral – if you have failed the module overall (i.e. a final overall module mark of less than 40%) you will be required to redo the assessment(s) as necessary. If you are successful on referral, your overall module mark will be capped at 40%.

Indicative learning resources - Basic reading

  • Appadurai, Arjun. Modernity at large. Cultural Dimensions in Globalization. Minneapolis: University of Minnesota Press, 1996.
  • Berger, John. About Looking. London: Bloomsbury, 2009.
  • Butler, Judith. Gender Trouble: Feminism and the Subversion of Identity. London: Routledge, 1990.
  • Clark, T. J. The Sight of Death: an Experiment in Art Writing. New Haven and London: Yale University Press, 2006.
  • Demos, T.J. The Migrant Image: The Art and Politics of Documentary During Global Crisis. Durham and London: Duke University Press, 2013.
  • Hall, Stuart, ed. Representations: Cultural Representations & Signifying Practices. London: Sage, 1997.
  • Hebdige, Dick. Subculture: The Meaning of Style. London: Routledge, 1979.
  • Henning, Michelle. Museums, Media and Cultural Theory. Maidenhead: Open University Press, 2005.
  • Marcus, Greil. Lipstick Traces: A Secret History of the Twentieth Century. Cambridge, Mass.: Harvard University Press, 1989.
  • Mitchell, W.T.J. Image Science: Iconology, Visual Culture and Media Aesthetics. Chicago: Chicago University Press, 2015.
  • Mirzoeff, Nicholas, ed. Visual Culture Reader 3rd edition. London: Routledge, 2012.
  • Rabinow, Paul. Marking Time: On the Anthropology of the Contemporary. Princeton and Oxford: Princeton University Press, 2008.
  • Storey, John, ed. Cultural Theory & Popular Culture: A Reader 5th edition. London: Routledge, 2008.

Module has an active ELE page?

Yes

Indicative learning resources - Web based and electronic resources

Available as distance learning?

No

Origin date

01/10/2011

Last revision date

09/11/2018

Key words search

Visual culture, visual practices, art history